AI-powered restoration for tango DJs

Paste a YouTube URL or upload an audio file. We'll separate instruments, remove noise, correct EQ for the recording era, and master the output for modern sound systems.

Hear the difference — Osvaldo Fresedo, Firulete (1922)
BadFair +27 Playback Readiness
Before 35 Bad
After 62 Fair
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Hear the Difference — Before & After

49 restored recordings from the golden age of tango

Acoustic & Early Electric Era (1917–1929)
Carlos Gardel — Mi noche triste
1917
BadFair +26 Playback Readiness
Original
Overall37
Clarity32
Transients34
Warmth10
Naturalness100
Consistency90
Restored
Overall63
Clarity73
Transients65
Warmth45
Naturalness45
Consistency90
Orq. Típica Select — Milonguita
1920
BadFair +26 Playback Readiness
Original
Overall39
Clarity9
Transients25
Warmth80
Naturalness100
Consistency75
Restored
Overall65
Clarity62
Transients42
Warmth80
Naturalness100
Consistency75
Orq. Típica Select — El 6°
1920
PoorFair +13 Playback Readiness
Original
Overall49
Clarity51
Transients30
Warmth40
Naturalness100
Consistency75
Restored
Overall62
Clarity70
Transients46
Warmth40
Naturalness100
Consistency90
Orq. Típica Victor — Olvido
1920 · 망각
BadFair +30 Playback Readiness
Original
Overall35
Clarity0
Transients31
Warmth70
Naturalness100
Consistency75
Restored
Overall65
Clarity46
Transients74
Warmth70
Naturalness100
Consistency90
Orq. Típica Victor — Sarandí
1920
BadFair +25 Playback Readiness
Original
Overall38
Clarity0
Transients34
Warmth80
Naturalness100
Consistency75
Restored
Overall63
Clarity43
Transients70
Warmth80
Naturalness85
Consistency90
Osvaldo Fresedo — Firulete
1922 · 피루레테
BadFair +27 Playback Readiness
Original
Overall35
Clarity9
Transients39
Warmth40
Naturalness100
Consistency90
Restored
Overall62
Clarity57
Transients67
Warmth40
Naturalness100
Consistency90
Roberto Firpo & Corsini — Patotero Sentimental
1922 · 감상적인 패거리
PoorPoor +12 Playback Readiness
Original
Overall43
Clarity34
Transients33
Warmth40
Naturalness100
Consistency75
Restored
Overall55
Clarity53
Transients41
Warmth50
Naturalness100
Consistency75
Osvaldo Fresedo — El 11
1924 · Victor
PoorGood +18 Playback Readiness
Original
Overall59
Clarity40
Transients56
Warmth80
Naturalness100
Consistency75
Restored
Overall77
Clarity53
Transients91
Warmth100
Naturalness100
Consistency75
Osvaldo Fresedo — De Mi Barrio
1925 · 내 동네에서
BadFair +27 Playback Readiness
Original
Overall35
Clarity10
Transients39
Warmth40
Naturalness100
Consistency75
Restored
Overall62
Clarity65
Transients60
Warmth40
Naturalness100
Consistency75
Francisco Canaro — La ultima copa
1926 · 마지막 잔
FairFair +6 Playback Readiness
Original
Overall60
Clarity35
Transients46
Warmth100
Naturalness100
Consistency100
Restored
Overall66
Clarity48
Transients48
Warmth100
Naturalness100
Consistency100
Ignacio Corsini — Caminito
1926 · 작은 길
FairFair +5 Playback Readiness
Original
Overall68
Clarity42
Transients68
Warmth100
Naturalness100
Consistency90
Restored
Overall73
Clarity52
Transients73
Warmth100
Naturalness100
Consistency90
Julio De Caro — Recuerdo
1926 · Victor · 추억
PoorFair +21 Playback Readiness
Original
Overall53
Clarity24
Transients53
Warmth80
Naturalness100
Consistency100
Restored
Overall74
Clarity67
Transients67
Warmth80
Naturalness100
Consistency100
Pedro Maffia / Laurenz — La Cumparsita
1926 · Victor · 라 쿰파르시타
PoorGood +35 Playback Readiness
Original
Overall49
Clarity36
Transients45
Warmth50
Naturalness100
Consistency75
Restored
Overall84
Clarity86
Transients79
Warmth80
Naturalness100
Consistency90
Pedro Maffia / Laurenz — Mocosita
1926 · 어린 코흘리개
FairFair +6 Playback Readiness
Original
Overall67
Clarity72
Transients66
Warmth40
Naturalness100
Consistency90
Restored
Overall73
Clarity84
Transients68
Warmth40
Naturalness100
Consistency90
Francisco Canaro — Sentimiento gaucho
1927 · 가우초의 감정
FairFair 0 Playback Readiness
Original
Overall66
Clarity41
Transients62
Warmth100
Naturalness100
Consistency90
Restored
Overall66
Clarity53
Transients71
Warmth70
Naturalness100
Consistency75
Julio De Caro — Mala junta
1927 · 나쁜 패거리
FairFair +5 Playback Readiness
Original
Overall63
Clarity67
Transients56
Warmth40
Naturalness100
Consistency90
Restored
Overall68
Clarity77
Transients59
Warmth40
Naturalness100
Consistency90
Julio De Caro — Tierra querida
1927 · 그리운 고향
FairGood +15 Playback Readiness
Original
Overall63
Clarity47
Transients55
Warmth80
Naturalness100
Consistency90
Restored
Overall78
Clarity66
Transients70
Warmth100
Naturalness100
Consistency90
Orquesta Tipica Victor — Don Juan
1927
PoorFair +22 Playback Readiness
Original
Overall52
Clarity8
Transients63
Warmth100
Naturalness100
Consistency75
Restored
Overall74
Clarity44
Transients100
Warmth100
Naturalness100
Consistency45
Osvaldo Fresedo — El espiante
1927 · 도주
PoorGood +24 Playback Readiness
Original
Overall52
Clarity17
Transients70
Warmth70
Naturalness100
Consistency75
Restored
Overall76
Clarity51
Transients90
Warmth100
Naturalness100
Consistency75
Roberto Firpo — Mandria
1927 · Odeon · 겁쟁이
FairFair +6 Playback Readiness
Original
Overall64
Clarity60
Transients71
Warmth40
Naturalness100
Consistency90
Restored
Overall70
Clarity74
Transients72
Warmth40
Naturalness100
Consistency90
Roberto Firpo — Jueves
1927 · Odeon · 목요일
PoorFair +34 Playback Readiness
Original
Overall40
Clarity0
Transients73
Warmth40
Naturalness100
Consistency90
Restored
Overall74
Clarity47
Transients100
Warmth80
Naturalness100
Consistency90
Transition Era (1930–1939)
Orq. Típica Brunswick — Qué Bomboncito
1930 · Brunswick
FairGood +9 Playback Readiness
Original
Overall66
Clarity42
Transients75
Warmth80
Naturalness100
Consistency90
Restored
Overall75
Clarity55
Transients91
Warmth80
Naturalness100
Consistency90
Mercedes Simone — Ave Sin Rumbo
1930s · 정처 없는 새
PoorFair +9 Playback Readiness
Original
Overall59
Clarity60
Transients53
Warmth40
Naturalness100
Consistency90
Restored
Overall68
Clarity75
Transients56
Warmth50
Naturalness100
Consistency90
Mercedes Simone — Mañana Si Dios Quiere
1930s
PoorPoor +11 Playback Readiness
Original
Overall48
Clarity32
Transients54
Warmth40
Naturalness100
Consistency90
Restored
Overall59
Clarity57
Transients58
Warmth40
Naturalness100
Consistency90
Orq. Típica Brunswick — La Cumparsita
1931 · Brunswick · 라 쿰파르시타
PoorGood +26 Playback Readiness
Original
Overall51
Clarity18
Transients57
Warmth80
Naturalness100
Consistency75
Restored
Overall77
Clarity60
Transients80
Warmth100
Naturalness100
Consistency75
Edgardo Donato — El huracan
1932 · 허리케인
FairFair +4 Playback Readiness
Original
Overall60
Clarity27
Transients67
Warmth100
Naturalness100
Consistency60
Restored
Overall64
Clarity48
Transients76
Warmth70
Naturalness100
Consistency45
Osvaldo Fresedo — Vida mia
1933 · 나의 삶
PoorPoor +14 Playback Readiness
Original
Overall45
Clarity37
Transients31
Warmth40
Naturalness100
Consistency100
Restored
Overall59
Clarity71
Transients33
Warmth40
Naturalness100
Consistency100
Carlos Gardel — Volver
1935 · 돌아오다
BadPoor +17 Playback Readiness
Original
Overall36
Clarity21
Transients25
Warmth40
Naturalness100
Consistency75
Restored
Overall53
Clarity61
Transients31
Warmth40
Naturalness100
Consistency75
Carlos Gardel — El dia que me quieras
1935 · 당신이 나를 사랑하는 날
PoorPoor +18 Playback Readiness
Original
Overall41
Clarity0
Transients28
Warmth100
Naturalness100
Consistency90
Restored
Overall59
Clarity43
Transients34
Warmth100
Naturalness100
Consistency75
Edgardo Donato — El Día Que Me Quieras
1935 · Victor · 당신이 나를 사랑하는 날
FairFair +8 Playback Readiness
Original
Overall62
Clarity48
Transients55
Warmth80
Naturalness100
Consistency75
Restored
Overall70
Clarity59
Transients72
Warmth80
Naturalness100
Consistency60
Francisco Canaro — Poema
1935 · 시
PoorGood +18 Playback Readiness
Original
Overall58
Clarity46
Transients69
Warmth40
Naturalness100
Consistency90
Restored
Overall76
Clarity73
Transients73
Warmth70
Naturalness100
Consistency100
Juan D'Arienzo — Re Fa Si
1935 · 레 파 시
GoodGood +1 Playback Readiness
Original
Overall80
Clarity63
Transients100
Warmth80
Naturalness100
Consistency90
Restored
Overall81
Clarity65
Transients100
Warmth80
Naturalness100
Consistency90
Pedro Laurenz — Milonga de mis amores
1937 · 나의 사랑들을 위한 밀롱가
PoorFair +10 Playback Readiness
Original
Overall54
Clarity27
Transients59
Warmth70
Naturalness100
Consistency90
Restored
Overall64
Clarity50
Transients65
Warmth70
Naturalness100
Consistency90
Anibal Troilo — Comme il faut
1938 · 콤 일 포
FairGood +15 Playback Readiness
Original
Overall74
Clarity41
Transients93
Warmth100
Naturalness100
Consistency100
Restored
Overall89
Clarity74
Transients100
Warmth100
Naturalness100
Consistency100
Canaro & Maida — Tu Bondad
1938 · Odeon
FairGood +9 Playback Readiness
Original
Overall71
Clarity55
Transients57
Warmth100
Naturalness100
Consistency100
Restored
Overall80
Clarity71
Transients67
Warmth100
Naturalness100
Consistency100
Francisco Canaro — Suplicio
1938 · Odeon · 고문
FairGood +15 Playback Readiness
Original
Overall67
Clarity34
Transients74
Warmth100
Naturalness100
Consistency100
Restored
Overall82
Clarity65
Transients85
Warmth100
Naturalness100
Consistency100
Francisco Canaro — La melodia de nuestro adios
1938 · 우리 이별의 선율
GoodGood +3 Playback Readiness
Original
Overall79
Clarity65
Transients74
Warmth100
Naturalness100
Consistency90
Restored
Overall82
Clarity80
Transients74
Warmth100
Naturalness100
Consistency45
Juan D'Arienzo — Lunes
1938 · Victor · 월요일
FairGood +12 Playback Readiness
Original
Overall64
Clarity22
Transients100
Warmth80
Naturalness100
Consistency90
Restored
Overall76
Clarity43
Transients100
Warmth100
Naturalness100
Consistency90
Juan D'Arienzo — El internado
1938 · 기숙학교
FairGood +15 Playback Readiness
Original
Overall60
Clarity14
Transients100
Warmth80
Naturalness100
Consistency75
Restored
Overall75
Clarity42
Transients100
Warmth100
Naturalness100
Consistency75
Enrique Rodriguez — Son cosas del bandoneon
1939 · 반도네온의 것들
FairGood +11 Playback Readiness
Original
Overall67
Clarity33
Transients96
Warmth80
Naturalness100
Consistency90
Restored
Overall78
Clarity57
Transients100
Warmth80
Naturalness100
Consistency90
Rodolfo Biagi — La maleva
1939 · 거친 여인
FairFair +6 Playback Readiness
Original
Overall67
Clarity28
Transients87
Warmth100
Naturalness100
Consistency90
Restored
Overall73
Clarity49
Transients100
Warmth70
Naturalness100
Consistency90
Golden Age & Beyond (1940+)
Miguel Calo — Al compas del corazon
1942
FairGood +16 Playback Readiness
Original
Overall60
Clarity28
Transients61
Warmth100
Naturalness100
Consistency75
Restored
Overall76
Clarity65
Transients67
Warmth100
Naturalness100
Consistency75
Ricardo Tanturi — Asi se baila el tango
1942 · 탱고는 이렇게 추는 것
PoorGood +18 Playback Readiness
Original
Overall57
Clarity23
Transients73
Warmth80
Naturalness100
Consistency75
Restored
Overall75
Clarity57
Transients80
Warmth100
Naturalness100
Consistency45
Osvaldo Pugliese — Farol
1943 · Odeon · 가로등
FairFair +5 Playback Readiness
Original
Overall64
Clarity69
Transients57
Warmth40
Naturalness100
Consistency100
Restored
Overall69
Clarity80
Transients58
Warmth40
Naturalness100
Consistency100
Anibal Troilo — Quejas de bandoneon
1944 · 반도네온의 탄식
FairFair +10 Playback Readiness
Original
Overall61
Clarity58
Transients61
Warmth40
Naturalness100
Consistency100
Restored
Overall71
Clarity65
Transients65
Warmth70
Naturalness100
Consistency100
Miguel Caló — Saludos
1944 · Odeon · 인사들
FairGood +9 Playback Readiness
Original
Overall73
Clarity46
Transients85
Warmth100
Naturalness100
Consistency75
Restored
Overall82
Clarity64
Transients92
Warmth100
Naturalness100
Consistency75
Carlos Di Sarli — Bahia Blanca
1957 · 바이아 블랑카
PoorFair +16 Playback Readiness
Original
Overall58
Clarity33
Transients41
Warmth100
Naturalness100
Consistency100
Restored
Overall74
Clarity74
Transients42
Warmth100
Naturalness100
Consistency90
Acoustic & Early Electric Era (1917–1929)
Juan Maglio — Leguisamo solo
1927 · 레기사모 혼자서
PoorFair +10 Playback Readiness
Original
Overall59
Clarity42
Transients54
Warmth70
Naturalness100
Consistency100
Restored
Overall69
Clarity56
Transients65
Warmth80
Naturalness100
Consistency100
Juan Maglio — Noche de Reyes
1927 · 왕들의 밤
PoorFair +10 Playback Readiness
Original
Overall52
Clarity34
Transients65
Warmth40
Naturalness100
Consistency90
Restored
Overall62
Clarity53
Transients74
Warmth40
Naturalness100
Consistency90
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About Tango Restoration

What We Do

We restore 1920s–1940s Argentine tango recordings for use by tango DJs (musicalizadores) at milongas. The goal is to take noisy, degraded vintage recordings and make them sound clear, warm, and ready for modern PA systems — while preserving the musical character of the original era.

How It Works

Each recording goes through a fully automated ML restoration process:

  1. Neural Noise Removal — A neural network trained specifically on tango music removes noise directly from the raw recording. Because the model learned from real tango recordings and real 78rpm noise, it can distinguish between music and noise far more effectively than traditional filters.
  2. AI Audio Refinement — A second AI model analyzes the denoised audio, separating it into instrument layers and recombining them. This catches any remaining noise and artifacts, producing a clean result while preserving musical detail.
  3. Postprocessing & Export — Optional stereo widening, loudness normalization, compression, and harmonic enhancement are applied. These options can be changed instantly without reprocessing — the AI stages only run once.

Total processing time is approximately 12 times the track length (e.g., ~40 minutes for a 3-minute track). The ML denoising is fully automatic with no parameters to tune. Postprocessing adjustments take only seconds.

Quality Scoring System — Playback Readiness

Every restored track is evaluated across 5 dimensions of audio quality, weighted to reflect what matters most for tango DJs: noise removal accounts for 65% of the score, because a clean recording is the single biggest improvement for playback at a milonga.

DimensionWeightWhat It Measures
Clarity40%How clean the audio is — absence of hiss, crackle, and background noise. Bell-curved: penalizes both noise AND over-cleaning.
Transients25%Instrument attack clarity — whether you can hear the bandoneon staccato, violin phrasing, and piano accents that dancers respond to.
Warmth20%Low-mid frequency body — the tonal richness from strings, bandoneon, and bass that gives tango its emotional weight.
Naturalness10%Preservation of natural instrument texture — detects when denoising strips the aperiodic energy (breath, bow noise) that gives instruments their life.
Consistency5%Volume stability over time — steady loudness makes it easier for DJs to mix tracks in a tanda without riding the fader.

Design Principles

  • Score what DJs hear, not what engineers measure. The system is designed for musicalizadores choosing tracks for milongas, not for mastering engineers evaluating frequency response.
  • Weight what matters most. Noise is the #1 annoyance in historical recordings. Clarity and Transients together account for 65% of the score, reflecting the dramatic perceptual improvement when surface noise is removed.
  • Scores are diagnostic, not prescriptive. The scoring system helps compare outputs and identify improvements, but the final judge is always the human ear. Quality scores should never be used as optimization targets (Goodhart's Law).

Postprocessing Options

The ML denoising is fully automatic — no parameters to tune. After processing, you can adjust these optional postprocessing settings instantly without waiting:

OptionWhat It DoesDefault
Stereo WidthAdds spatial width to mono recordings using the Haas effect. Mono-compatible for dance floor PA systems.100% (standard width)
LoudnessTarget output level in LUFS (broadcast standard). Lower = quieter, higher = louder.−16 LUFS
CompressionReduces volume range for consistent playback. Off by default — add if you need even volume for mixing in tandas.Off (1.0:1)
ExciterAdds high-frequency brightness via harmonic generation. Can bring sparkle to dull recordings.Off
HarmonicsPitch-tracked restoration of missing overtones. Synthesizes back instrument harmonics that were lost. Try Medium or High for very noisy sources.Off
Tips
  • Listen first, adjust later. The default output (no postprocessing) is usually the most natural-sounding result.
  • Changes are instant. Postprocessing options can be adjusted without rerunning the 30-minute ML process.
  • Trust your ears, not the scores. The quality scores are useful for comparison but don't chase higher numbers — they can be misleading.
  • For dance floor use, try adding Stereo Width 100% and Compression 1.5:1 for consistent playback through PA systems.

Contact & Support

General Inquiries

For questions, feedback, or feature requests, please reach out via email or GitHub.

Copyright & DMCA

If you believe content processed through this service infringes your copyright, please contact us with details of the original work and the specific content in question. We will respond promptly.

About This Service

Tango Restoration is a service for restoring historical tango recordings using AI-powered noise removal and audio refinement. Built for tango DJs (musicalizadores) who need clean, high-quality audio for milongas.

Frequently Asked Questions

How long does processing take?

About 12 times the track length (e.g., ~40 minutes for a 3-minute track). The AI noise removal and audio refinement run on CPU. Postprocessing adjustments (stereo, loudness, compression) are instant — no waiting. Jobs are queued and processed one at a time.

Can I adjust the output without waiting again?

Yes! Once a track is processed, the AI result is cached. Postprocessing options (stereo, loudness, compression, harmonics) can be changed instantly using the “Tweak Settings” button — no waiting at all.

Why does my restored track still have some noise?

Some noise on 78rpm shellac records is physically embedded in the music signal itself. Our AI removes the vast majority of surface noise, hiss, and crackle, but a small amount of residual noise may remain on very old or heavily worn recordings. This is a physical limitation of the original medium.

What audio formats are supported?

You can paste a YouTube URL or upload MP3, WAV, FLAC, M4A, OGG, or OPUS files (max 50 MB, 15 minutes). Output is 320kbps MP3.

How long are processed files kept?

Processed files are automatically deleted after 3 days. Download your restored tracks promptly.

Does this work for music other than tango?

The AI noise removal works on any historical recording (jazz, blues, classical). The model was trained specifically on tango, so it performs best on that genre, but it often produces good results on other music from the same era.

What do the quality scores mean?

Each track is evaluated across 5 dimensions: Clarity, Transients, Warmth, Naturalness, and Consistency. The scores help compare before and after, but they are not perfect — trust your ears over the numbers.

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